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Tabwa Cooking Stick Post Congo African Art SALE WAS 0.00

$ 153.11

Availability: 100 in stock
  • Color: Tabwa Cooking Stick Post Congo African Art
  • Restocking Fee: No
  • Refund will be given as: Money back or replacement (buyer's choice)
  • Return shipping will be paid by: Buyer
  • Original/Reproduction: Original
  • Item must be returned within: 30 Days
  • Tribe: Tabwa
  • Material: Wood, pigment, metal
  • All returns accepted: Returns Accepted
  • Maker: Tabwa Artisan - Africa

    Description

    Title
    Tabwa Cooking Stick Post Congo African Art
    Type of Object
    Drum
    Country of Origin
    Democratic Republic of Congo
    People
    Tabwa
    Materials
    Wood, pigment, metal
    Approximate Age
    20th century
    Height (in)
    63
    Width (in)
    3
    Depth (in)
    6
    Other Dimensions
    Height: 63 Inches
    Width: 3 Inches
    Overall Condition
    Good. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
    Damage/Repair
    Cracked gourd and missing peices
    Additional Information:
    The Tabwa people lived under Luba domination in small autonomous villages scattered within a territory that expanded from the southeast of the Democratic Republic of the Congo to the northeast of Zambia, along Lake Tanganyika.  The verb "tabwa" means "to be tied up" and refers to when these people were taken as slaves. During the 19th century, the ivory trade brought wealth to the region and Tabwa people gained their independence. Today, they number 200,000 and are led by chiefs-sorcerers who rule over village chiefs and family chiefs. Their power is counterbalanced by male societies created on Luba prototypes and by female associations influenced by East African models. Traditionally, Tabwa people made their living from hunting and blacksmithing; nowadays they cultivate millet, manioc, cassava, beans, and corn, but they live primarily off fishing and hunting, for game is plentiful. The influence of Eastern Tanzanian neighbors on Tabwa art is seen in their use of linear geometric decorations, while their western neighbors, the Luba, influenced the incorporation of prestige objects into Tabwa life. The Tabwa worshipped ancestors, whose statues were the property of the lineage chiefs and sorcerers; these carried “medications” in their ears or in small cavities at the top of their heads. The Tabwa also worshipped the spirits of nature, who lived in trees and rocks. The installation of a supreme chief is of relatively recent vintage; formerly it was the function of the large ancestor figures to consolidate the power of the chiefs. Other statuettes were used for divination. The Tabwa also made twin figures that could be both dangerous and bearers of good luck. In the north of Tabwa country, the diviner was also a sculptor; consulted after a dream, he would create a new statue. Special attention was paid to scarifications, which embellish the body and recall social values. On the whole surface of the body, a recurrent motif consists of twinned isosceles triangles, the two bases of which symbolize the duality of life. They evoke the coming of the new moon, essential to Tabwa philosophy, whose return would be celebrated monthly.
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